![]() In the standard video mode noise in the shadows win, reducing what little is left to a crumpled heap of mushy brown. Skies are no longer full of banding and macro blocking. You can see in the video above that the shading and rendering of the 7D’s output has improved leaps and bounds with raw. All that colour data and tonality comes flooding back. The dynamic range would be clipped, and shades which are actually thousands of very subtle transitions would be rendered as one stripy block with perhaps 4 or 5 transitions. Usually low contrast areas of the image and inky black shadows in low light would be the most compressed part of the image. Raw gives you rich 14bit colour, how does this affect the image? ![]() It’s also a huge step up for Canon APS-C video shooters and free. Magic Lantern’s raw recording module for the 7D is a perfect illustration of why colour depth and dynamic range are more important than resolution.
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